Western Landscape Appreciation

 Scenic landscapes and landscape
ideal pastoral landscape
: Lorrain
vigorous landscape: Poussin
eighth-century Dutch landscape painting landscapes and topography

landscape and agricultural production : Brugel, Gainsborough, Stubbs

have religious meaning, wealth, order
Gleaners: religious meaning and social reality
taste of picturesque
picturesque romantic landscape
Philippines Derik
United Kingdom: Kangsitabo, Turner
British landscape painting in France and the Industrial Revolution
naturalistic landscape
sent Bobby Jones Lang French Impressionist landscape landscape
:
outside the idea of sending light and modern urban life

Cezanne's landscapes

landscape and land art landscape art
J. Christo's wrapping of Art
Andy Goldworthy Land Art Appreciation
Western Landscape Landscape and landscape

Yang Yongyuan Western landscape painting as an independent material, time is not set up very early. But back in ancient Egypt, ancient Greece and ancient Roman legacy of art and architectural remains, are people appeared to view events as a background picture. This can be said of human nature itself and the relationship between the performance of some experience. will be reduced to a certain nature size of the screen, without losing the relationship before and after the size is not an easy task, it must rely on one hand the visual experience and the ability of the heart and to understand the performance of sign language with structural problems. In other words, human the visual experience, and gradually established the performance of the different ways in which the so-called perspective, is a kind of space objects will make an arrangement so that all the images out of order, this expression system of the images as symbols to convey The message can be understood by society at that time to achieve the spread of visual information communication will be established. In our opinion today, the ancient of perspective, but they still succeed in the social communication and its significance, it can be said for human beings to a certain degree of trees, they are long in the direction of the radiation from the pool center off. This is the conceptual realism: every tree and the relationship between the pool and every tree in each place where relationships are expressed clearly, but this expressions do not conform to the way we show.
the early Renaissance, landscape as a religious painting, figure painting in the background is very common, especially in perspective in the fifteenth century gradually being established as a mature system, landscape This system integration is also where, leaving the people, architecture, landscape can be established under an order. Air distance method of the invention will landscape to the illusion (illusion) of space to a higher level of performance. so the screen looks during the practice of artists in this theory, there is an outstanding achievement. to achieve the Mona Lisa Winch background scenery appears that it has an outstanding landscape performance. Venetian painter Giovanni Johnny (Geogeone) The and Heroic, Lorrain and Poussin
seventeenth-century French painter Lohan (Claude Lorrain) can be said to be the first to view as a painter, which most of his life living in Italy: the Rome suburb of rural landscapes, and ancient combined into the ruins of a pastoral landscape as (pastoral) of the subject matter. Lohan approach to collecting is to nature the image of the United States, and enough to form a sense of the ruins of the screen, and after the combination, as a shepherd or mythological figures of the stage. Strictly speaking, the landscape Lohan is not just a background character, even to say that his character was used as a point of view (embellishment) use. He noted in particular the light elements, So in the picture, particularly the clear sky and a little meandering curve of the tree trunk and branches, adding to the Roman ruins, is clearly established Italian landscape. in the eighteenth, nineteenth century, the widely in English literature and artists love, landscapes and gardens of the British theory, have a profound effect.
and contemporary painters Poussin Lohan (Nicola Poussin) is another typical representative of landscape, scenery combined with the screen of his characters of the story tragic or forceful personality, and show strong changes in light and shade; shown in the figures of the body a sense of the terror of the fearful contrast, become noble, powerful (Sublime) type. Poussin's landscape is a hero (Heroic ) landscape. In space, clearly a larger landscape setting, to set off in front of a dramatic character. art historians believe that Poussin may be derived from the Renaissance garden tradition; garden design is like a stage play to accommodate drama played out in the garden , while the garden is full of Lohan and Poussin the landscape, are built on the ideal rather than the performance of the real (reality) basis. Clark will this landscape can be called Ideal Landscape, clearly distinguish it with the style of eighteenth-century Dutch landscape painting .

seventeenth-century Dutch landscape than the scenery and the ideal, representative of the seventeenth century Dutch landscape view of reality, it may be more Italian-style scenery more direct description of the object material. landscapes may be related to the prevalence of Netherlands geographical environment. like the French or the British hereditary aristocracy and enjoyment of territories, people can in some extent dependent for its work to obtain food and clothing lord. Hsinpu the Netherlands because the flat terrain of the new land, there is no natural mountains barriers, immigrants from all sides, they do not belong to any princess, but is self-reliant individuals, to push for survival becomes a matter. In order to create a collective of people from all sides of social consciousness, and perhaps low, flat sky and the horizon line clouds is their common visual experience. white clouds floating sky, and mapping the surface of the hill, Sha Zhu, became the main target of materials in real landscapes.
Dutch seventeenth century, landscape painting subjects more than others loved by collectors, like the various classes of people Shixiao like to draw the background landscape as the background scenery between .1610 to 1619 subjects drawn from the total ratio from 25.6% to 41% between 1670-79. [1] in a some areas, farmers cultivate their land wholly owned, around 1514, the Netherlands four percent of twelve farmers cultivate their own land. Land is communally business assets and personal wealth. low-lying sand dunes and river transport on the sail motif, a symbol of the economic landscape in the Netherlands; and politics before and after the symbolic end of the century in between 1610-17. [2] S. van Ruysdael's River Landscape with Ferry (1649) screen appears on the sheep and the Canal vessel, a symbol of obvious economic. as long as we compare Albert Cuyp's River Sunset (35t53cm) (Figure: 1) the image of the shepherd on the scenery, they will know the realistic character of the Dutch landscape. In this painting, the vast waters is undoubtedly the lifeblood of commercial traffic which were, and sheep on the hill is a symbol of wealth. All is not painting does not show a reflection of economic activity. In particular, the image of the shepherd on the hill, but close to the popular real life; traditional Christian text, the image of the shepherd is elegant standing position, or queued in the wooden war chest, Tuosai thought. This puts the Dutch landscape shepherd on the battle carried on the shoulders of children, conversing with their neighbors. The landscape itself is not magical or poetic, is obviously not an ideal landscape look Italian.
Dutch landscape painting may be based on geographic proximity, on the eighteenth and nineteenth century British watercolors, there are significant impact. especially the Norwich School of painters. it low and flat composition in the form, have some impact to the Constable.
Topography
landscapes and landscape in general, it is inevitable that the artist's taste and doping in the traditional habitus among its performance, while the defense is difficult to analyze what is a landscape painted by the exact location. seventeenth-century Dutch landscape painting depicting a location that is recognizable of this.
for a landlord This painting sponsors or a record of the performance of their land is called Topography manor in the seventeenth and eighteenth centuries also quite popular. It is a small frame, using water-based paint drawing, painting scenery precise description of the object. In the eighteenth century topography mature, a unique attachment poetry and landscape painting body known as the prospect (landscape poetry and painting) was popular among poets and painters, which compliment the scenery, elaborate opening sequence, the poem as much as the general picture, catchy easily with patriotic propaganda, or local awareness. small frame landlord popular favorite watercolor topography, land property because the landlord can draw down hanging in the room, highlighting the satisfaction of owning land. eighteenth and nineteenth century British watercolorist known, Most youth also engaged in the work of topography paintings, painting many of the skills learned from, and a future art career connections, JMW Turner is a famous example of his early man as topography, trained to have good hand skills , have made many paintings of buyers. However, it is undeniable, Topography must be faithful to physical appearance and due to topography, ideal after all can not have too much processing space-like scenery, its status, after all, can not and oil painting landscape more remarkable.
landscape plans and economic production of religious meaning

harvest wild and barren land of the reaper, harvest paintings may be another such text. Viagra History Extension (Richard Westall, 1765-1836) This painting is typical.
in Westall's piece the shape of a young and old, before the storm, shelter under a tree,Discount UGG boots, and looked solemn gaze distant lightning and high winds rolled up leaves. storm brought a sense of horror. was deliberately appears at the same table, a young and old, and the nineteenth century half of the draw in the agricultural theme, composed by the children of young parents and family structure, work force, a significant difference. religion of birth to the remaining years of the time series to start, waiting for angels harvest. And this in A Storm in Harvest The and strong light, the fear (awe), or the fear of lightning produced tolerable (agreeable horror), produces a deep, (sublime) aesthetic effect. full of sound and light lightning effect of such paintings, biblical apocalyptic painting ( apocalyptic subjects); [3] the Bible, Revelation of painting, was quoted in the aesthetic type is a powerful, sublime (sublime) the. Burke (Edmund Burke) in A Philosophical Enquriy into the Origin of our Ideas of the Sublime and Beautiful has Road : But the same forceful for the manufacture of high (sublime) h Westall in the sense of external conditions, it should be terrible, dark is not clear (obscurity), strength (power), large volume (vastness), offerings in the desert of sight (infinity) h and other conditions resulting. [5] Westall the picture, select Lightning light effects, and wilderness areas of the environment, seems to be caused by imposing the best results. Westall's not only the content of the harvest is closely related to the contents of the Bible; also aesthetically and forceful noble about. and painting form, Westall is used in popular history was the grand style of figure painting.
in the Bible, God gave the earth grow, grow, and harvest, but God is also like lightning, you can overnight with their enormous power, the burning of fields of crops. This meaning must engage students and Jing Jin, they are not subject to the penalties divinity. Maybe Westall's that is the admonition meaning, to evoke all kinds of life about art as a reflection, and moral temper.
agricultural landscape themes: ownership, wealth, order, Brugel, Gainsborough, Stubbs's landscape
than any other subject matter agricultural landscape in the number of course topics, and rare, but its performance in relation to the biblical text and the Gleaners harvest themes, and agricultural activities in the literary works, poetry / painting, the relationship between social reality, but with cross-disciplinary research The potential value; to art history, it is a field of landscape research topic worthy of study.
Theory in Aesthetics and landscape level, the agricultural theme and the nineteenth-century romantic landscape painting landscape painting, in the connotation some differences, there is also the distinction between painting style. agricultural farming activities subject to the contents of the title as the painting; to agricultural activities like painting, as the title of the content, but landscapes than known, more detailed pictures to convey meaning.
half of the eighteenth century genre painting of Agriculture (agriculture genre) among the rural or village background Motif appear, a symbol of good landlords and gentry class in the harmonious social order. this time with a description of landscape is a harmony of class, everyone has the Secretary's advice of the landscape poetry and painting style. [6] < br> In Shidabosi (George Stubbs) (1724-1806) Reaper (Reapers) (1795) (Figure: 3), the characters too clean clothing, and rich narrative of the effects of posture, people questioned whether the people portrayed as agricultural workers. Such symbols convey, even if they are the peasants and workers is a poster model for the general, services of a particular person; and this one is on horseback gentry. He is the landlord is villages in the center of the political community; in their farming for Jia, the peasants and workers should get settled. so that the image conveyed is to have wealth and attempt to dominate the social class order. harmonious class relations is that the picture is reading an important clue. to distance the center of the screen, there is a small part of the church spire shape, a symbol of the village's religious center. This is of course in Britain since the seventeenth century, landscape poetry that often continue to use the image of the landscape level is related to a level of symbolic order.
Gainsborough painted a portrait of landscape (Mr. And Mrs. Robert Andrews) in (Figure: 4), their land and their masters An Zhuoru a symbol of his wife sitting in a new era of industrial revolution of the product production and to ensure that the ideal wealth of farmers. Obviously such an unusual breach of poetic beauty - the landscape, intended to convey the stick figures can accept the effects of the industrial revolution, and identity Such order to show the order, with the connotation of the picture taken by rational structure, perhaps a sixteenth-century Brooklyn Eagle (Pieter Bruegel) of (The Harvesters) (1565-66) (Figure: 5) as a control can be more clear. was sold to the bankers Yung Glynco (Niclaes Jongelinck) of the six paintings that figure among the one in December. social structure of the building, and in the Castle hidden in the trees and the distant villages and churches, and dine in the shade and take a nap in the agricultural and industrial. farming and agro-industrial times with the eternal cycle of seasons. viewers can expect that the political process and social structures to continuing this sustainability, is the semi-feudal economic and social structures which sustain. This also explains why the hand-written calligraphy has been since the Middle Ages, and the Four Seasons in December that figure has been the favorite for the cause of the European aristocracy. [7] the message conveyed is to show that: This is a critical harvest season, at this time, the landlord of the winter and next year's forage which has amassed well; time is so important, because a slight delay in the harvest, autumn rain can ruin grain.
specializes in custom painting Bruegel, the picture in the dining and tired of being farm workers, placed in outlook, and twelve to see the painting to the screen outside, but still a Tanaka two are being harvested. why farm workers do not act together? from the harvest to lunch to nap, Bruegel the time may be past, present, future and explain again. He integrated the functions of visual order, a few blocks to form wheat, and would imply the function of social structure and class, to the castles, churches, villages and vulgar agricultural workers (peasant), the formation of internal autonomy. so by comparison, Stubbs and Gainsborough in the screen, use its wealth of characters, resulting in visual sense of the symbolic order, political and social, even more clearly to be found.
Gleaners theme: the spirit of Christian charity and social reality in the agricultural landscape
Gleaners most common topics. Christian, chaste woman Ruth described the mother to accompany her in-laws to return to Israel and to Gleaners subsistence deeds. Christian humanitarian has warned the wealthy landowners, should be harvested when the number of scattered ears of corn left for pick up poor families. In Christian culture society, this is a long tradition. We are familiar with the French realist painter Miller (F. Millet) The Gleaners colors in harmony, peaceful people posture, a Christian charity teaching metaphor: Woman When the homes and the poor teacher to pick up grain. Unfortunately, after the British industrial revolution withered to death in some rural areas, farmers often heard riots, labor relations are not harmonious. in the real world, Gleaners response to the nineteenth century the British agricultural and industrial life of sentimental family side.
deteriorating rural economy depends on women and children when used in addition to the harvest season Shimoda Gleaners home. Peter de Wint's The Cornfield (1815) (Figure: 6) in the field of painting is the lunch break, carrying grain, pick up Sui and other activities. The cereal harvest and the picking up of activities at the time of the original can not simultaneously appear in a picture; Gleaners must wait until the owner of view have been collected and agreed to open grain fields before to Shimoda. De Wint the piles of grain and Gleaners women also tied in the picture, perhaps selfish materialistic critique of modern agriculture status. In ancient times, the unwritten agreement with the harvested grain to Gleaners are those who pick up the movement of grain, and now business interests in command, the landlord tartly treatment of helpless, the poor underprivileged class. [8] De Wint's paintings are not as good as the ancient meaning of this ironic .1750-1850 years, in the South East counties, women Lost in the ears of corn out of the economic benefits of the breed about labor household income in the year five to thirteen percent between. [9] indicates the Gleaners of the importance of farm worker families. However, with the 1850s, harvesting and threshing machine automatic beam universal use in harvest season, the Gleaners work has been some degree of adverse effects. landowners for farm workers harvesting wheat in the valley, whether intentionally left ears of corn scattered on the floor and left to pick up women and children, when in doubt. Sometimes even the landlord pay to the peasants and workers to spend more to encourage them to receive more thorough tied glutenin; In contrast, the grain producing area of the church who are trying to advise some of the landlords more than handouts, the poor Shimoda Gleaners. this complex social relations, at least in response to the Gleaners is out of economic need, no matter how much Christianity is humane care, and how to beautify its artists.
taste of picturesque
picturesque half of the eighteenth century, the British intellectual elite with a picturesque term to describe the ruins , monuments, posed by the natural beauty of heaven and garden landscape, it has a mainly derived from Claude b Lohan (Claude Lorrain), and Sha Weituo b Rosa (Salvato Rosa) of the Italian landscape painting tradition (Figure: a); Although Rosa's landscapes, mostly depicting nature by the storm and lightning Cuizhe after the image, which was classified as vigorous academics, lofty type. British academic landscape painter Both of these references in the elements of Painting in the United States, whether as a view of nature consistent with the United States Painting landscape.
to search landscape worthy of the picturesque scenery, a forward on the dark mirror shades known as Claude (Claude Glass) of the lens, equipped with a portable viewing scenery. Use a mirror to framing, composition, in order to find special beauty of scenery beautiful scenery and the ideal demonstration of Claude Lorrain The style is familiar with the general level. [11] Paul Sandby's Roslin Castle, Midlotian (Figure: 7), for example, pictured a group of elegantly dressed in fashionable the President, is through the In the far back, as if deprived of participation in the exclusive upper class in the aesthetic of the rights. obvious appreciation of Tour of the boom, especially popular in England and Wales border in the mountains. Thomas Hearne's painting works Sir George Beaumont and Joseph Farington Sketching a waterfall (1777) (Figure: 8), described the painting artist, critic, and Sir George Beaumont Joseph Farington umbrella propped up in the valley in front of the waterfall painting, they worry about the trek to the valley covered with stone, with umbrellas to avoid the waterfall mist, to illustrate this picturesque scenery found in the United States shares the interest is how fresh.
However, this boom has caused some derision. cartoonist Thomas Rowlandson described by the Dr. Syntax Sketching the Lake (Figure: 9), an umbrella paintings focus on the characters in the sketch, the move was perplexed by his side full of curious anglers; in the landscape where anglers seem odd that be? I believe that Rowlandson is nothing more than double ridicule the fashion overkill.
Tourism is also a description of the artist's style, in Rowlandson's An Artist Traveling in Wales paintings (Figure: 10), traveled, look good and tired of the painter, carrying many of the necessary painting tools; necessities rather insignificant. in his right behind the mother (female), seemed to be watched painters leave, if they exist between the family relationship, this picture is really conveyed mm deep irony to his family or for art, artists like ronin between heaven and earth, left his family and other children. These cartoons arty people in that time, criticism and questions raised; but this underlines that British landscape, looking for enough to be called Observations on the River Wye). When the scenery is simply, and was not more to be brush applied, transferred to canvas painting but , Gilpin stressed target object rough, irregular, and the aesthetic appearance of local defects is a picturesque quality. [13] Gilpin believes that landscape in order to retain its original state is preferred; for the needs of farming, Yun caused by soil change in the landscape, the poetic beauty of it is harmful. but take a step back words, the land, after all, the sustenance of farmers gave birth to the rich and the poor, regardless of class, housing agencies are required to live on the land, if based on must appear in person or animal, this time Zeyi Shouma, the farmer appropriately, visual representation (representation) on been drawn up to the rough lines better; [14] These images give the association, is old and thin, dry and issued on the image, distinct from Gluttons, hypocritical cunning money-minded businessmen. thin withered old larva in the visual music, deformation, uneven, not smooth appearance is caused by Cuizhe years, there arouse moral sentiments of sympathy significance. As for the statement and then step back, the scenery must be present in the building premises, factory premises to be used in any case is not picturesque. factory capitalists amass wealth, destruction of scenic beauty of the place. In contrast, the huts and dilapidated Wacuo, The state can increase the picturesque.
and compared to the original purity of the landscape, Gilpin appears to allow cottage break cottage landscape, but also from a moral point of view of compromise; in sentiment, these motifs are the victim of years of Cuizhe, Like the medieval Gothic church, the UK has been left leaning Tintern Abby collapse, which shows the years of relentless. (Figure: 11) Duwu think the situation, who turned the matter of Health and the dry content, should be remembered Shen thinking, fear of fear ( awe), before they get clarity state of mind, spirit distillation. and contemporary critics Uvedale Price Gilpin is that the landscape of the Order riding, window frames broken walls as the best choice. he rejected the balanced, symmetrical, smooth, dull image of the object as the effect of creating picturesque; contrary twists and turns, twist, change the image of the good variety. [15]
picturesque landscape theory of extreme hobbies distorted lines, Trolltech's shape, and thus subject matter and composition, causing narrowing of the style of the growing phenomenon of artistic creation has finally lost the feelings and intentions of the important activities of associations, so the landscape of the achievements of the Department's leadership . But the picturesque garden evolved into the theory of criticism, but it shows that it is comprehensive in terms of cultural critic, function, due to limited space, this article does not discuss it.

eighteenth-century Romantic landscape painting Nine O's Enlightenment European society by the last stage and the French Revolution, the old order and the authority being questioned. Art has also been a profound impact on Western thought. various works of art such as painting, poetry, fiction and music composition, not and then just react or reflect the immutable concept, but an insight into life, we see the mysterious, unknowable world of the heavy burden. art is particularly important that the art of imitating nature, has been the performance of the replaced. In the Western aesthetic thought in the philosophical system from the edge of the first, walked the core position; the purpose of art has suffered an unprecedented challenge. [16] This trait declared the advent of Romanticism in art.
romance The term has many uses .1819 doctrine of German scientist Friedrich Bouterwek European epic poet to describe the contemporary works, because I do not know how to describe this new genre, and called it In order to describe Ji Like (Gericault) is full of strong emotions and called Romantic School. The word soon became widely popular all types of art terms.
value is the Romantic emphasis on individual attention to inner feelings expression; never seems to calm the mind important feature of Romanticism.
German landscape: Feder Lee (G. Friedrich)
in the landscape, the German Feder Lee (Friedrich), is the most representative romantic painter. His paintings used symbolic images to convey his attitude toward religion, but also convey the mystery of his nature to judge. mysterious and quiet atmosphere as the performance of his landscape features.